In part, this problem may have something to do with the ease and frequency with which students misinterpret the well-meaning advice of teachers who suggest they use strong adjectives, forceful verbs why should a character walk when he can stride, why should he speak when he can expostulate?
Here are some long sentences I continue to admire for their grace, their clarity, and for the bravado with which they add one word to another without fear of confusing us, or of losing our attention.
The second kind of process paper is an explanation. Is that driver approaching the intersection signaling right or left? This is the contribution that poststructuralist theory has to make to an understanding of literary nonfiction, since poststructuralist theorists are primarily concerned with how we make meaning and secure authority for claims in meaning of language.
In an effort to counteract this, I ask to students to write the following sentence in their notebooks, in capital letters: Everything we write is, in a sense, translated from another language, from the chatter we hear inside our head, translated from that interior babble more or less comprehensible to us into what we hope will be the clearer, more articulate language on the page.
For example, the writer of software installation instructions intends the reader to follow the steps to successfully install a program. But during the process of that translation, basic clarity often suffers—sometimes fatally! The simplest definition may be best: Most of the three-word sentences that come to mind—She likes chocolate.
The second kind of process paper is an explanation. What is the second step? None The purpose of this one-semester course is to help the student learn vocabulary for personal conversation, for college papers, to understand what is read, and to score well on college entrance exams. But your frequent personifications, when the sea breathes, the sky looks on, the steppe basks, nature whispers, talks, grieves, etc.
After a few cycles, the local insect population has become largely resistant to the insecticide.
The truth is meant to be upheld, just told in a literary fashion. One could argue that the consequences of writing an unintelligible sentence are not nearly so drastic as a car wreck or a botched operation. And if the gardener switches to a new broad-spectrum pesticide, the development of pesticide resistance widens to accommodate the new product as well.
To my mind this literary tinkering does not alter the more profound truth of the story. Dozens of new journals have sprung up—both in print and online—that feature creative nonfiction prominently in their offerings. This does not mean that they should write exactly as they speak, but rather that they avoid, in their writing, anything they would not say out loud to another human being.
On the other hand, he suggests, genre fiction writers tend to support themselves by book sales. Similarly, if you have already received feedback from your instructor on this or earlier papers, bring in the instructor's written comments if possible.Francine Prose Francine Prose is the author of 20 works of fiction.
Her novel A Changed Man won the Dayton Literary Peace Prize, and Blue Angel was a finalist for the National Book Award. Her most recent works of nonfiction include the highly acclaimed Anne Frank: The Book, The Life, The Afterlife, and the New York Times bestseller Reading Like a Writer.
The first novel is definitely the hardest! You think you have internalized how a story works as a reader and then you discover there is so much more to learn. In this article, Natasa Lekic from New York Book Editors takes us through five problems that are common in first novels and how to avoid them.
The experience of writing your first draft can be a roller coaster. How the Language Really Works: The Fundamentals of Critical Reading and Effective Writing. We still proudly offer a monthly lesson for all teachers who sign-up for our "Lesson of the Month" Ning.
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